Cash Mob-Fayetteville organizers Sally Baker Williams and Caitlin Covey visited KUAF to talk about the event, and how it helps local businesses and participants.
To find out more about the event, visit https://www.facebook.com/CMFayAR.
Ozarks At Large
University of Arkansas genocide scholar Dr. Samuel Totten’s book “We Cannot Forget,” which he co-authored with Rafiki Ubaldo, is a compilation of interviews with survivors of the 1994 Rwandan genocide. He discusses his experiences with Ozarks at Large’s Kyle Kellams.
To listen to more of this conversation, click here.Poet Gerry Sloan reads and signs copies of his poetry book “Paper Lanterns” tonight at Nightbird Books, “Tigers Be Still” continues its run at Nadine Baum Studios, and “Hairspray” is tonight at 8 p.m. at Rogers Little Theatre. Becca Bacon Martin from Northwest Arkansas Newspapers has the details.
On this edition of Ozarks at Large, poet Gerald Sloan talks to Kyle Kellams about his newly published book of poetry. Northwest and central Arkansas business and civic leaders think about potential collaborations; and Walton Arts Center decides to expand.
On this edition of Ozarks at Large, we learn more about the new Razorbacks e-tickets, and Mardi Gras celebrations taking place in the region. Middle East expert Juan Cole visits KUAF to discuss his book “Arab Spring: One Year Later,” and a University of Arkansas music professor works with a teenage piano prodigy who’s severely autistic.Our math expert Dr. Chaim Goodman Strauss left us with a poker puzzle last week. He gives us the solution on today’s Math Factor.
Author, Middle East expert and the man behind the blog “Informed Comment” Juan Cole visited KUAF earlier this week to discuss his book “Arab Spring: One Year Later.”
To listen to more of this conversation, click here.
A Louisiana native and the author of the novel “King Cake Baby,” Scott Butler tells the story of a family with a life-changing secret. Butler now lives in Bentonville. “King Cake Baby” is now available at Nightbird Books in Fayetteville and online at www.kingcakebabybook.com.
To listen to more of this conversation, click here.A production of “Come Fly Away” comes to Fort Smith. A book signing and auditions for a play are also in order. Becca Bacon Martin from Northwest Arkansas Newspapers has the details.
Latest Edition of Ozarks at Large
Thursday, April 17, 2014
Ahead on this edition of Ozarks, Mexico's history is long, rich and often misunderstood. We talk with a historian who has written eleven books on the subject. Plus, a conversation with a gubernatorial candidate who cites his business background as sufficient experience to serve in higher office in the state. And, a preview of the inaugural Homegrown Festival, debuting next week in Siloam Springs
Horizontal slickwater natural gas drilling flowback fluids not reused or recycled are pressure injected into the earth. Several such wells were shuttered last year in Faulkner County, linked to seismic activity. Industry is now looking toward Johnson County--pocked with empty underground gas reservoirs--to safely contain frack waste. But some Johnson County residents say not in their backyard.
“An Organ, A Guitar and Chicken Wing” by Ray Manzarek
Roby Brock from our content partner www.talkbusiness.net speaks with the CEO of Alliance Rubber in Hot Springs. The company is the nation’s largest rubber band manufacturer.
“Rubber Band Man” by The Spinners
Little Rock Airport being renamed “Bill and Hillary Clinton National Airport;” the Arkansas Razorback baseball team hosts Nevada tonight at Baum Stadium; and more – on today’s edition of Ozarks at Large Half-Time.
“Puss in Boots” to be screened at the Fayetteville and Springdale Public Libraries; the Goddess Festival continues; and much is to be learned about the history of Eureka Springs. Becca Bacon Martin from Northwest Arkansas Newspapers tells us more.
The University of Arkansas is one of few campuses that employs a glass-blower to work closely with researchers. Ozarks at Large’s Christina Thomas visited the glass shop and has this story.
“Floe” by Philip Glass





